Unlocking the Mystery of Creative Play : Leslie Morgan 2020

CREATIVE PLAY - Leslie Morgan.jpg
CREATIVE PLAY - Leslie Morgan.jpg

Unlocking the Mystery of Creative Play : Leslie Morgan 2020

225.00

‘How do I make better work?’ We will look at simple language and principles of design found in the physical world. Working from a personal starting point, discover tools to create contrast and harmony using colour, value, size, shape, and texture. Bring your curiosity to discover what you like and how to achieve the elements you need to work with your theme and create effective compositions. 

Dates: Janurary 29th to Feb 2nd 2020

Venue: Committed to Cloth Studio, Surrey

Course Fee: £450 + £30 supplies      Deposit £225

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Whether your creativity needs unravelling, unlocking, or unfolding this very personal course is about you, your work, your curiosity and how to move forward in 2019. Whatever level you feel you are, this will be the chance to start from where you are and add appropriate experience to focus on and develop this year.

 

 Testimonial from last year’s course

I’ve just spent five days with Leslie Morgan at her studio and it was the best course I’ve ever attended. Leslie supported and challenged me to think outside the box and to move beyond what was my comfort zone.
The studio is warm and light and there was plenty of room for the group of ten. We enjoyed relaxed lunches together and Leslie included the sharing of each person’s progress with everyone on a daily round. It wasn’t scary and it meant we got to know each other and each other’s work throughout the week.
I would heartily recommend the courses that Leslie runs. High quality teaching from a very friendly and generous person. I’ve already booked to do another course in June
I thoroughly enjoyed it . Many thanks, Leslie. Sue Glasper

… and another

Why not start the year with a 5 day retreat mentored by Leslie Morgan? I have attended Unlocking the Mystery of Creative Play for two consecutive years.  Leslie’s description on the website may be the same each time but the two experiences couldn’t have been more different.  The structure of the teaching depends on the needs of the group each time, but the amount of one-to-one remains the same.  Spending 5 days soaked in the creative experience with Leslie asking questions and making suggestions is the kick star.

…and another

This course is a great course to start each new year, and I come home ready to invest more time exploring, playing and motivated! Leslie Morgan.

Preparation 

To get the best out of this retreat you will want to have an idea of where to start and this is where your curiosity comes in. You will want a starting point that speaks to you and excites you. This can be developed and honed, simplified or expanded during the course.

Do you work from a theme?  

When we wrote finding your own Visual Language, Claire Benn took 'line' for her theme. Jane Dunnewold took a circle, and used circles either as a spiritual symbol, or a visual shape from her environment. I took leaves which seemed to be an easy starting place and then added thorns to tell a story!

 Are you a story-teller? Do you work from emotion?

My present 'theme' is houses but it is not about architecture but about house vs home, the disintegration of a marriage. I use the structure of a house as a symbol, and  also a bird’s nest.  Your theme can be about an object, a topic or an emotion, or an action. 

Do you work from a place?

I am a photographer. I love my environment, and have two favourite walks, and now a studio environment! I have been walking the Favourite Walk for the last 32 years, and photographed it in all it's season and moods. As I have aged so has it!  I feel grounded, connected, inspired and lifted and sometimes, inspired to investigate these images.

Favourite Walk 

I still do not use them in my work but I may one day! 

Favourite Walk Too 


To Bring:

  • As much inspiration as you can!

    • Photographs

    • Artists you admire

    • Your sketchbooks

    • Poems (or my favourite lyrics!)

    • Your favourite Object

    • Examples of your work including work in progress, personal screens, tools and photos

    • You could pick up "Finding Your Own Visual Language" and do the writing exercises!

  • A selection of different textured papers

  • Glue Stick

  • Cutting Mat and ruler

  • Paper scissors and craft knife with a spare blades

  • An assortment of coloured pens or crayons

  • A variety of pencils, and mark-making tools

  • Graphite and/or charcoal for rubbings

  • Old magazines and coloured papers like wrapping paper

  • Lino cutters if you have them

Please note: It is essential to wear sturdy, flat, rubber-soled sensible shoes with good support. (you’ll be standing a great deal)

Provided:

  • Stamp making plastic

  • India Ink

  • Textured paper

  • Glue

  • Mixed media Products

  • Brown paper

HOUSEKEEPING

CLASS HOURS

Please arrive no later than 9.15am on the Wednesday for a 9.30am start.  Teaching hours will run from 9.30am to 5.  The studio opening hours will be from 8.30am to 5.30pm. If you arrive early bear in mind that the Class does not begin until 9:30 as I may still be setting up. 

On Sunday, the studio will close at prompt at 4:30.

Studio Information

Lunches, tea/coffee and nibbles and fruit will be provided.

See the Accommodation list, which comes with student feedback, if you need to stay locally.

Contact and Directions : www.committedtocloth.uk/say-hello

 Leslie Morgan lm@committedtocloth.com